![]() ![]() Further updates have added native support for Apple's M1 and M2 Macs and AUv3 plugin compatibility, so you can now run certain iOS synths and effects within Live, too. There are new devices, too, along with updates for existing ones. The long-awaited Live 11 takes things to the next level, adding much-requested features such as an elegant comping system and support for MPE. Since then, it's exploded in popularity and influenced the development of countless other desktop and mobile apps. When the first version was released in 2001 it threw out the traditional design rulebook and established itself not just as a recording program for composers, but also as a performance instrument in itself. It's hard to overstate the impact that Live has had on the music software marketplace. Plugin delay compensation is still an issue for a few of the effects In truth, any one of these products will enable you to make music - and we're not saying that any one is definitively better than all the others - but they’re all slightly different in the way that they operate, so it’s worth taking the time to consider your options carefully and try out demo versions wherever possible. ![]() To help you find that DAW, we’ve put together an expert guide to what we consider to be the best Digital Audio Workstations on the market today, including full reviews for many of our choices. Put simply, the best DAW for you is the one that makes it easiest for you to make music, and inspires you to keep creating. I'm on there quite often and you need to log-on to get your free updates etc anyway.Yes, you’ll likely have a MIDI keyboard, audio interface, set of studio monitor speakers and possibly a microphone or two in your home recording setup as well, but your music production software sits at the centre of everything, and if it's not working for you, your level of creativity is likely to be compromised.Īs such, it’s important to get a DAW that you’re happy with - and, perhaps even more importantly, a digital audio workstation that will enable you to turn your ideas into music as quickly and painlessly as possible. Note:you must be using the Toneport ASIO driver in Mixcraft to use the Toneport device.As it is it's own sound card there's no problem. In Cab model under the right controls choose none. In Amp model under the left amp controls choose none. I can't understand why you can't use the line-ins.It will most likely be a setting in,"Gearbox".Īs for the pre-amps in Gearbox that's easy. ![]() Note:If and when the windows installer screen comes up with three choices do NOT cancel.Choose the 3rd choice and then choose to install drivers,"Automatically". Remember that,"Gearbox" is basically the,"HUB" of the Toneport devices.Don't forget to download/use,"Line 6 Monkey" which should have been installed in your Programs list in the Line 6 Section.It will 1st most likely want you to update itself so let it do that but follow the instructions to unplug or plug in your UX2 when required.This also goes when you update the drivers and also there's a new version of Gearbox ready to download but Monkey eill tell you what's avaiable and if you are up-to-date. If someone could tell me exactly how to do this I would appreciate it. I can be pretty dense when it comes to doing something simple. Is there a setting in the GearBox program where the program can be set to take a signal from an external pre-amp and disable the one in the Toneport box? When I plug the pre-amp into the front, I get a good signal but I am almost sure the signal is going through both pre-amps. I can't get a signal when I plug into the line in jacks in the back. I don't want to stack one pre-amp signal on top of the other. It would save me a lot of time if someone could tell me how to be sure that I am using only the external pre-amp and the line6 pre-amp. I would like to try it using my own pre-amps. Liverwimply wrote:Based on a number of recommendations here I ordered a line6 Toneport UX2. ![]()
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